If you can get a position as a Camera Assistant, you will learn so much through observation - everything from how to deal with clients or Producers to how to properly care for the equipment and move quickly and efficiently. Then, once you’re in, work your way to the Camera Department. If this isn’t for you, find a local TV station or a video production company and bug them (politely and enthusiastically) until they let you grab coffee for them. It sounds easy, but this route takes a lot of discipline and you have to have a sales personality to pull it off. Once you get good enough, you can charge them. If you have an entrepreneurial spirit, once you understand the ins and outs of a camera and feel you have a good eye, you can offer up your services to small businesses to establish a portfolio of work. Film departments, whether at a large film school or a community college, are a great place to learn because you get access to cameras that you can use to practice. It doesn’t need to be a fancy camera to learn the fundamentals. If you are interested in doing this kind of work, the best thing to do is get your hands on a camera and learn how to use it. In all of these cases, the term is interchangeable. If something important happens, he or she better capture it. In all of the above examples, it is important to note that a Cameraman must think on their feet because he or she is capturing things as they happen. A documentary is another field where you will hear the term Cameraman, although big budget, cinematic films will have a DP (more on this later). The most important thing is that the Cameraman decides how to shoot it. ![]() The same goes when they are at the scene of the news story where a Field Producer has a shot list and tells the Cameraman what to get.īut a Cameraman will often weigh in on the shot list and sometimes is left to his own devices to find material to shoot. The person behind each camera is covering a different angle and a Producer is choosing which camera is live. In this case, the set is lit consistently and there are multiple cameras pointing on the subjects. It can be anywhere from one Cameraman to a handful of people. It’s got simple lighting, good sound and is edited together documentary-style. They have a video that introduces you to the facilities and staff, and gives you the lowdown on procedures. Let’s say it’s your local Dentist office. Think about a website that has video content (not major branding or commercials – these operate more like film sets). The biggest difference between a Cameraman in video production and a Camera Operator on a film set is that a Cameraman in videography is focused on the capturing the content, very often on the fly and the shots he gets are seen through his eye. Understanding more about these terms will help you understand where you fit in. If the camera is a your favorite toy and you want to make a career of using one, it’s important to know which line of work floats your boat, so you can set proper goals. It’s kind of like a square is a rectangle, but a rectangle isn’t a square. But to confuse you more, the Cameraman can be called a Camera Operator, but a Camera Operator on a film set has a specific meaning.
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